Source: Oman Daily Observer
A new initiative has India partnering with African countries to empower African women by developing skills that already exist within them.
Displayed in the middle of corporates and surrounded by technology companies, engineering as well as IT solution providers at the exhibition being held as part of the 10th CII-EXIM Bank Conclave on India-Africa Project Partnership here, is the India-Africa Craft Design Initiative that aims at supporting women in Africa.
"If one looks at the issues that have been discussed here at the conclave it is all big stuff but focusing on women in rural areas is absolutely essential too," Prisca N Nemapare, chief programme officer of the Zienzele Foundation in Zimbabwe, said.
"This conclave would help this project with exposure by creating market linkages and help small organisations with big impacts by way of funding, education or any other support that the communities may need," she said, adding that India's National Institute of Design (NID) has helped women in Africa in using their talent in the best possible manner.
The products on display at the exhibition are made by rural women in Africa who are struggling to make a living and support their families.
The India-Africa Craft Design Initiative has helped these women develop and improve their skills in making products they have already been making.
The project in Zimbabwe as the pilot country started in March 2012. After an extensive in-country field visit, two weaver groups were selected as the beneficiaries for the training workshops — the sisal basket weavers of Zienzele Foundation and the bamboo weavers from the STEP Trust.
Over and above the training imparted for skills and product development, the other significant aspect of the project in Zimbabwe was the transfer of basic technology wherein the bamboo weavers were introduced to hand tools and manually operated equipment.
Twenty new products, each of sisal and bamboo, have now been developed with good market potential.
Fifty basket weavers were directly trained in the workshops. The new product ranges were showcased at the National Gallery of Zimbabwe in Harare in November 2012.
An exhibition-cum -buyer-seller meet was held in New Delhi in March 2013 to explore and develop suitable market linkages for such products in India.
"These women are now receiving orders and are busy with designing using the new skills they have acquired from the workshops, field visits and training," Nemapare said.
"Projects like these should be carried out and implemented in various African countries for married women who struggle with shortage of income and widows who are being forgotten".
Ghana was the second country where the project moved to in October 2013, after its successful culmination in Zimbabwe. The country has profoundly high levels of skills in basket weaving and a lot of its baskets are exported to western European countries.
The field visits revealed that there is a major concentration of basket weavers in the country's northern town of Bolgatanga who use elephant grass to weave exquisitely patterned baskets.
Since the Bolga weavers represent a majority of the basket making activity in Ghana, weavers from different craft-based organisations based in Bolgatanga were chosen for training under the project.
The project in Ghana is under way and the final in-field workshop will be held in April 2014.
So far, 20 weavers have been trained through workshops in the country and at NID in India. A group of around 30 weavers are expected to participate in the last workshop.
So far, a range of 30 products have been developed ranging from personal accessories to lifestyle products with interesting integration of leather and wood as secondary materials, adding further value to the products.
The project in Ethiopia, a country that offers great diversity of materials used for basket making, was initiated in November, 2013.
An overview of the field visits and interactions with weavers of different groups led to the identification of six clusters — Bochesa, Kelo, Lepis, East Langano, Tulugudu and Harar — where weavers can be trained under the project.
The multiple materials and skills available have resulted in a very rich exchange of the participant weavers at several levels. Needless to mention, it has added variety to the products in terms of techniques and structures, forms, colours and patterns.